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Sukkah 50

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Summary

Today’s daf is sponsored by Judi Felber in honor of the 4th yahrzeit of her father, Hershel Tzvi Shlomo Chaim ben Pesach and Dina Sara. When Judi was growing up in Pennsylvania, her family joked that it always rained on Sukkot. Her father passed away in Florida during Hurricane Irma. So it seems particularly fitting to remember him while learning Masechet Sukkah (even though it is not the rainy season in Israel). And for the yahrzeit of the Maharal, Judah Loew ben Bezalel.

The water libations override Shabbat, but there is one difference – the water is collected in a vessel that is not sanctified so that it will not be disqualified overnight. Why? After all, without intention, the vessel does not sanctify its contents so one should be able to put it in the vessel with the intent that it only becomes sanctified the following day! And there is a requisite amount so if there were to put a larger amount in the vessel, it would not become sanctified as the vessel only sanctifies when the proper amount is in it. Three possible answers are brought. If the water is left uncovered, it is invalid. Why is it not possible to take out the snake venom in a strainer? Is it because the mishna doesn’t hold like Rabbi Nechemiah who claims that venom can be removed by a strainer? The mishna mentions the playing of the flute in the Shoeva Celebration. Is the wording in the mishna “Shoeva celebration” or “Important celebration”?? Why would this event be called by these names? They used to play the flute in the temple during the Simchat Beit Hashoeva for five or six days because they do not play it on Yom Tov and Shabbat. This opinion is not agreed upon by everyone – Rabbi Yossi Bar Yehuda thinks that it also overrides Shabbat. However, Rav Yosef holds that his opinion and the debate between him and the rabbis concerns the flute that accompanied the daily sacrifice (12 days a year, including Sukkot) and not the flute of the Simchat Beit Hashoeva which clearly would not override Shabbat. The debate is whether the main part of the music is the singing or the instruments. He tries to prove that this is the root of their debate by bringing a different debate of Rabbi Yosi bar Yehuda regarding wooden utensils – can they be used for sanctified utensils in the Temple or not – and tries to learn it from the wooden flute of Moshe. The gemara rejects his proof as it is possible to understand that the controversy there stems from another matter (two other possibilities are raised).

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Sukkah 50

וְאִי מַיְיתֵי בִּמְקוּדֶּשֶׁת, אִיפְּסִילוּ לְהוּ בְּלִינָה. חִזְקִיָּה אָמַר: כְּלֵי שָׁרֵת אֵין מְקַדְּשִׁין אֶלָּא מִדַּעַת, וּגְזֵירָה שֶׁמָּא יֹאמְרוּ לְדַעַת נִתְקַדְּשׁוּ.

And if he brings the water in a consecrated barrel, the water will become disqualified for use in the libation by remaining overnight, just as all consecrated items, e.g., offerings, are rendered unfit after remaining overnight. Ḥizkiya said: Temple vessels consecrate only with specific intent. Therefore, in theory, one could bring water to the Temple in a consecrated vessel, provided he has no intent to consecrate it. And the reason one may not do so is due to a rabbinic decree lest people say, upon seeing the water poured in the morning, that the water was intentionally consecrated. In that case, they might draw the mistaken conclusion that remaining overnight does not disqualify liquids for use in libations.

אָמַר רַבִּי יַנַּאי אָמַר רַבִּי זֵירָא: אֲפִילּוּ תֵּימָא יֵשׁ שִׁיעוּר לַמַּיִם, וּכְלֵי שָׁרֵת אֵין מְקַדְּשִׁין אֶלָּא מִדַּעַת, וּגְזֵירָה שֶׁמָּא יֹאמְרוּ לְקִידּוּשׁ יָדַיִם וְרַגְלַיִם מִלְּאָן.

Rabbi Yannai said that Rabbi Zeira said: Even if you say that there is a requisite measure for the water to be poured for libation and no more than three log can be consecrated, and that Temple vessels consecrate only with intent, here there is a rabbinic decree lest they say the barrel was filled with water for sanctifying the hands and the feet of the priest, for which there is no measure. Then, when they see the water poured in the morning, they will draw the mistaken conclusion that remaining overnight does not disqualify liquids for use in libations.

נִשְׁפְּכָה אוֹ נִתְגַּלְּתָה כּוּ׳. וְאַמַּאי? לִיעַבַּיר בִּמְסַנֶּנֶת. לֵימָא מַתְנִיתִין דְּלָא כְּרַבִּי נְחֶמְיָה, דְּתַנְיָא: מְסַנֶּנֶת יֵשׁ בָּהּ מִשּׁוּם גִּילּוּי. אָמַר רַבִּי נְחֶמְיָה: אֵימָתַי — בִּזְמַן שֶׁהַתַּחְתּוֹנָה מְגוּלָּה, אֲבָל בִּזְמַן שֶׁהַתַּחְתּוֹנָה מְכוּסָּה, אַף עַל פִּי שֶׁהָעֶלְיוֹנָה מְגוּלָּה — אֵין בָּהּ מִשּׁוּם גִּילּוּי. מִפְּנֵי שֶׁאֶרֶס נָחָשׁ דּוֹמֶה לִסְפוֹג צָף וְעוֹמֵד בִּמְקוֹמוֹ.

§ The mishna continues: If the water in the barrel spilled or was exposed overnight, the water is disqualified. The Gemara asks: Why is the water disqualified? Let him pass it through a strainer, eliminating the poison. Let us say that the mishna is not in accordance with the opinion of Rabbi Neḥemya, as it was taught in a baraita: A vessel covered with a strainer is subject to the halakha of exposure if the vessel is left unsupervised. Rabbi Neḥemya said: When is this so? It is when the lower vessel, in which the liquid collects after passing through the strainer, is exposed. However, if the lower vessel is covered, even if the upper vessel is exposed, it is not subject to the halakha of exposure, because the poison of a snake is like a sponge in that it floats and stays in place.

אֲפִילּוּ תֵּימָא רַבִּי נְחֶמְיָה, אֵימַר דְּאָמַר רַבִּי נְחֶמְיָה לְהֶדְיוֹט, אֲבָל לְגָבוֹהַּ מִי אָמַר? וְלֵית לֵיהּ לְרַבִּי נְחֶמְיָה: ״הַקְרִיבֵהוּ נָא לְפֶחָתֶךָ הֲיִרְצְךָ אוֹ הֲיִשָּׂא פָנֶיךָ אָמַר ה׳ צְבָאוֹת״?!

The Gemara answers: Even if you say it is in accordance with the opinion of Rabbi Neḥemya, say that Rabbi Neḥemya said his opinion permitting strained water for a common person. However, did he actually say that strained water is permitted even to be sacrificed to God? Even if it is possible to render this water potable, it is certainly not of the select quality that would render it eligible for use in the Temple service. Isn’t Rabbi Neḥemya of the opinion that it is inappropriate to sacrifice on the altar any item that one would not give to someone of prominent stature? As it is stated: “And when you offer the blind for sacrifice, it is no evil; and when you offer the lame and sick, it is no evil. Present it now unto your governor; will he be pleased with you or will he accept your person, says the Lord of hosts” (Malachi 1:8).



הֲדַרַן עֲלָךְ לוּלָב וַעֲרָבָה

הֶחָלִיל — חֲמִשָּׁה וְשִׁשָּׁה. זֶהוּ הֶחָלִיל שֶׁל בֵּית הַשּׁוֹאֵבָה, שֶׁאֵינוֹ דּוֹחֶה לֹא אֶת הַשַּׁבָּת וְלֹא אֶת יוֹם טוֹב.

MISHNA: The flute is played on the festival of Sukkot for five or six days. This is the flute of the Place of the Drawing of the Water, whose playing overrides neither Shabbat nor the Festival. Therefore, if the first Festival day occurred on Shabbat, they would play the flute for six days that year. However, if Shabbat coincided with one of the intermediate days of the Festival, they would play the flute for only five days.

גְּמָ׳ אִיתְּמַר: רַב יְהוּדָה וְרַב עֵינָא, חַד תָּנֵי: שׁוֹאֵבָה, וְחַד תָּנֵי: חֲשׁוּבָה. אָמַר מָר זוּטְרָא: מַאן דְּתָנֵי שׁוֹאֵבָה לָא מִשְׁתַּבַּשׁ, וּמַאן דְּתָנֵי חֲשׁוּבָה לָא מִשְׁתַּבַּשׁ. מַאן דְּתָנֵי שׁוֹאֵבָה לָא מִשְׁתַּבַּשׁ, דִּכְתִיב: ״וּשְׁאַבְתֶּם מַיִם בְּשָׂשׂוֹן״. וּמַאן דְּתָנֵי חֲשׁוּבָה לָא מִשְׁתַּבַּשׁ, דְּאָמַר רַב נַחְמָן: מִצְוָה חֲשׁוּבָה הִיא, וּבָאָה מִשֵּׁשֶׁת יְמֵי בְּרֵאשִׁית.

GEMARA: It was stated that Rav Yehuda and Rav Eina disagreed: One of them teaches that the celebration was called the Celebration of Drawing [sho’eva] and one of them teaches that it was called the significant [ḥashuva] celebration. Mar Zutra said: The one who taught sho’eva is not mistaken, and the one who taught ḥashuva is not mistaken. The one who taught sho’eva is not mistaken, as it is written: “And you shall draw [ushavtem] water with joy from the wells of salvation” (Isaiah 12:3), and its name reflects the fact that it is a celebration of the water libation. And the one who taught ḥashuva is not mistaken, as Rav Naḥman said: It is a significant mitzva and it originated from the six days of Creation.

תָּנוּ רַבָּנַן: הֶחָלִיל דּוֹחֶה אֶת הַשַּׁבָּת, דִּבְרֵי רַבִּי יוֹסֵי בַּר יְהוּדָה. וַחֲכָמִים אוֹמְרִים: אַף יוֹם טוֹב אֵינוֹ דּוֹחֶה. אָמַר רַב יוֹסֵף: מַחְלוֹקֶת בְּשִׁיר שֶׁל קׇרְבָּן, דְּרַבִּי יוֹסֵי סָבַר: עִיקַּר שִׁירָה בִּכְלִי, וַעֲבוֹדָה הִיא, וְדוֹחָה אֶת הַשַּׁבָּת. וְרַבָּנַן סָבְרִי: עִיקַּר שִׁירָה בַּפֶּה, וְלָאו עֲבוֹדָה הִיא, וְאֵינָהּ דּוֹחָה אֶת הַשַּׁבָּת. אֲבָל שִׁיר שֶׁל שׁוֹאֵבָה, דִּבְרֵי הַכֹּל שִׂמְחָה הִיא, וְאֵינָהּ דּוֹחָה אֶת הַשַּׁבָּת.

§ The Sages taught: The flute overrides Shabbat; this is the statement of Rabbi Yosei bar Yehuda. And the Rabbis say: It does not override even a Festival. Rav Yosef said: The dispute is with regard to the song that the Levites sang accompanying the daily offering. As Rabbi Yosei bar Yehuda holds that the primary essence of song is the accompaniment by musical instruments, and consequently these instruments are a component of the Temple service and override Shabbat. The Rabbis hold that the primary essence of song is singing with the mouth, and consequently the instruments are not a component of the service; they merely accompany the singing on occasion and therefore they do not override Shabbat. However, with regard to the song of the Drawing of the Water, everyone agrees that it is rejoicing and not a component of the Temple service; therefore it does not override Shabbat.

אָמַר רַב יוֹסֵף: מְנָא אָמֵינָא דִּבְהָא פְּלִיגִי, דְּתַנְיָא: כְּלֵי שָׁרֵת שֶׁעֲשָׂאָן שֶׁל עֵץ, רַבִּי פּוֹסֵל וְרַבִּי יוֹסֵי בַּר יְהוּדָה מַכְשִׁיר. מַאי לָאו בְּהָא קָמִיפַּלְגִי, מַאן דְּמַכְשַׁיר סָבַר: עִיקַּר שִׁירָה בִּכְלִי, וְיָלְפִינַן מֵאַבּוּבָא דְמֹשֶׁה. וּמַאן דְּפָסֵיל סָבַר: עִיקַּר שִׁירָה בַּפֶּה, וְלָא יָלְפִינַן מֵאַבּוּבָא דְמֹשֶׁה.

Rav Yosef said: From where do I say that they disagree about this matter? It is as it is taught in a baraita: With regard to Temple service vessels that one crafted of wood, Rabbi Yehuda HaNasi deems them unfit and Rabbi Yosei bar Yehuda deems them fit. What, is it not that they disagree with regard to this matter? The one who deems the wooden vessel fit holds that the primary essence of song is accompaniment by musical instruments, and we derive that sacred vessels may be crafted of wood from the wooden flute of Moses, which according to this opinion was a service vessel. And the one who deems the wooden vessel unfit holds that the primary essence of song is singing with the mouth, and therefore we do not derive any halakha relevant to service vessels from the wooden flute of Moses, as according to this opinion it was not a service vessel.

לָא, דְּכוּלֵּי עָלְמָא עִיקַּר שִׁירָה בִּכְלִי, וְהָכָא בְּדָנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר קָמִיפַּלְגִי. מַאן דְּמַכְשַׁיר סָבַר: דָּנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר, וּמַאן דְּפָסֵיל סָבַר: לָא דָּנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר.

The Gemara rejects this explanation of the baraita. No, that is not necessarily the matter that they dispute, as one could say that everyone agrees: The primary essence of song is singing accompanied by musical instruments. And here, it is with regard to whether one derives the possible from the impossible that they disagree. Can one establish a principle that applies in all cases based on a case with a unique aspect? The one who deems wooden service vessels fit holds that one derives the possible, i.e., Temple service vessels, from the impossible, i.e., the flute of Moses. Although there was no alternative to crafting the flute of Moses from wood, one may derive from this that sacred service vessels, even when the alternative to craft them from metal exists, may be crafted from wood. And the one who deems wooden service vessels unfit holds that one does not derive the possible from the impossible.

וְאִיבָּעֵית אֵימָא: דְּכוּלֵּי עָלְמָא דְּעִיקַּר שִׁירָה בַּפֶּה, וְאֵין דָּנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר, וְהָכָא בְּמֵילַף מְנוֹרָה בִּכְלָלֵי וּפְרָטֵי אוֹ בְּרִבּוּיֵי וּמִיעוּטֵי קָא מִיפַּלְגִי. רַבִּי דָּרֵישׁ כְּלָלֵי וּפְרָטֵי, רַבִּי יוֹסֵי בַּר יְהוּדָה דָּרֵישׁ רִיבּוּיֵי וּמִיעוּטֵי.

And if you wish, say instead in rejection of Rav Yosef’s proof that everyone agrees that the primary essence of song is singing with the mouth, and one does not derive the possible from the impossible. And here, it is with regard to deriving the halakhot of the Temple candelabrum by means of the hermeneutic principle of generalizations and details or by means of the principle of amplifications and restrictions that they disagree. Rabbi Yehuda HaNasi interprets verses by means of the principle of generalizations and details, and Rabbi Yosei bar Yehuda interprets verses by means of the principle of amplifications and restrictions.

רַבִּי דָּרֵישׁ כְּלָלֵי וּפְרָטֵי: ״וְעָשִׂיתָ מְנוֹרַת״ — כָּלַל, ״זָהָב טָהוֹר״ — פָּרַט, ״מִקְשָׁה תֵּעָשֶׂה הַמְּנוֹרָה״ — חָזַר וְכָלַל. כְּלָל וּפְרָט וּכְלָל, אִי אַתָּה דָן אֶלָּא כְּעֵין הַפְּרָט. מָה הַפְּרָט מְפוֹרָשׁ שֶׁל מַתֶּכֶת, אַף כֹּל שֶׁל מַתֶּכֶת.

Rabbi Yehuda HaNasi interprets the verse “And you shall make a candelabrum of pure gold: of beaten work shall the candelabrum be made” (Exodus 25:31), by means of the principle of generalizations and details. “And you shall make a candelabrum of,” is a generalization, as the material of the candelabrum is not specified; “pure gold,” that is a detail, limiting the material exclusively to gold; “of beaten work shall the candelabrum be made,” the verse then generalized again. The result is a generalization and a detail and a generalization, from which you may deduce that the verse is referring only to items that are similar to the detail; just as the detail is explicit that the candelabrum is crafted from gold, which is a metal, so too all other materials used in crafting the candelabrum must be of metal. The candelabrum is a prototype for all other Temple service vessels.

רַבִּי יוֹסֵי בַּר יְהוּדָה, דָּרֵישׁ רִיבּוּיֵי וּמִיעוּטֵי: ״וְעָשִׂיתָ מְנוֹרַת״ — רִיבָּה, ״זָהָב טָהוֹר״ — מִיעֵט, ״מִקְשָׁה תֵּעָשֶׂה הַמְנוֹרָה״ — חָזַר וְרִיבָּה, רִיבָּה וּמִיעֵט וְרִיבָּה — רִיבָּה הַכֹּל. מַאי רַבִּי — רַבִּי כֹּל מִילֵּי, מַאי מַיעֵט — מַיעֵט שֶׁל חֶרֶס.

Rabbi Yosei bar Yehuda, however, who deems wooden Temple service vessels fit, interprets verses by means of the principle of amplifications and restrictions. “And you shall make a candelabrum of,” is an amplification, as the material of the candelabrum is not specified; “pure gold,” is a restriction, limiting the material exclusively to gold; “of beaten work shall the candelabrum be made,” the verse repeated and amplified. The result is amplification and restriction and amplification, from which one derives to amplify all items except for those items most dissimilar to the restriction. What did the verse amplify? It amplified all materials, even wood. And what did the verse exclude with this restriction? It excluded a candelabrum crafted of earthenware.

אָמַר רַב פָּפָּא:

Rav Pappa said: Rav Yosef stated that the dispute between Rabbi Yosei bar Yehuda and the Rabbis concerning whether or not the flute overrides Shabbat and Festivals is based on the significance and the role of song in the sacrifice of offerings.

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Terri Krivosha

Minneapolis, United States

I heard the new Daf Yomi cycle was starting and I was curious, so I searched online for a women’s class and was pleasently surprised to find Rabanit Michelle’s great class reviews in many online articles. It has been a splendid journey. It is a way to fill my days with Torah, learning so many amazing things I have never heard before during my Tanach learning at High School. Thanks so much .

Martha Tarazi
Martha Tarazi

Panama, Panama

When I began the previous cycle, I promised myself that if I stuck with it, I would reward myself with a trip to Israel. Little did I know that the trip would involve attending the first ever women’s siyum and being inspired by so many learners. I am now over 2 years into my second cycle and being part of this large, diverse, fascinating learning family has enhanced my learning exponentially.

Shira Krebs
Shira Krebs

Minnesota, United States

As Jewish educator and as a woman, I’m mindful that Talmud has been kept from women for many centuries. Now that we are privileged to learn, and learning is so accessible, it’s my intent to complete Daf Yomi. I am so excited to keep learning with my Hadran community.

Sue Parker Gerson
Sue Parker Gerson

Denver, United States

I had tried to start after being inspired by the hadran siyum, but did not manage to stick to it. However, just before masechet taanit, our rav wrote a message to the shul WhatsApp encouraging people to start with masechet taanit, so I did! And this time, I’m hooked! I listen to the shiur every day , and am also trying to improve my skills.

Laura Major
Laura Major

Yad Binyamin, Israel

Hadran entered my life after the last Siyum Hashaas, January 2020. I was inspired and challenged simultaneously, having never thought of learning Gemara. With my family’s encouragement, I googled “daf yomi for women”. A perfecr fit!
I especially enjoy when Rabbanit Michelle connects the daf to contemporary issues to share at the shabbat table e.g: looking at the Kohen during duchaning. Toda rabba

Marsha Wasserman
Marsha Wasserman

Jerusalem, Israel

I am a Reform rabbi and took Talmud courses in rabbinical school, but I knew there was so much more to learn. It felt inauthentic to serve as a rabbi without having read the entire Talmud, so when the opportunity arose to start Daf Yomi in 2020, I dove in! Thanks to Hadran, Daf Yomi has enriched my understanding of rabbinic Judaism and deepened my love of Jewish text & tradition. Todah rabbah!

Rabbi Nicki Greninger
Rabbi Nicki Greninger

California, United States

I started with Ze Kollel in Berlin, directed by Jeremy Borowitz for Hillel Deutschland. We read Masechet Megillah chapter 4 and each participant wrote his commentary on a Sugia that particularly impressed him. I wrote six poems about different Sugiot! Fascinated by the discussions on Talmud I continued to learn with Rabanit Michelle Farber and am currently taking part in the Tikun Olam course.
Yael Merlini
Yael Merlini

Berlin, Germany

I started to listen to Michelle’s podcasts four years ago. The minute I started I was hooked. I’m so excited to learn the entire Talmud, and think I will continue always. I chose the quote “while a woman is engaged in conversation she also holds the spindle”. (Megillah 14b). It reminds me of all of the amazing women I learn with every day who multi-task, think ahead and accomplish so much.

Julie Mendelsohn
Julie Mendelsohn

Zichron Yakov, Israel

I started learning at the beginning of this cycle more than 2 years ago, and I have not missed a day or a daf. It’s been challenging and enlightening and even mind-numbing at times, but the learning and the shared experience have all been worth it. If you are open to it, there’s no telling what might come into your life.

Patti Evans
Patti Evans

Phoenix, Arizona, United States

I start learning Daf Yomi in January 2020. The daily learning with Rabbanit Michelle has kept me grounded in this very uncertain time. Despite everything going on – the Pandemic, my personal life, climate change, war, etc… I know I can count on Hadran’s podcast to bring a smile to my face.
Deb Engel
Deb Engel

Los Angeles, United States

I started learning daf yomi at the beginning of this cycle. As the pandemic evolved, it’s been so helpful to me to have this discipline every morning to listen to the daf podcast after I’ve read the daf; learning about the relationships between the rabbis and the ways they were constructing our Jewish religion after the destruction of the Temple. I’m grateful to be on this journey!

Mona Fishbane
Mona Fishbane

Teaneck NJ, United States

I attended the Siyum so that I could tell my granddaughter that I had been there. Then I decided to listen on Spotify and after the siyum of Brachot, Covid and zoom began. It gave structure to my day. I learn with people from all over the world who are now my friends – yet most of us have never met. I can’t imagine life without it. Thank you Rabbanit Michelle.

Emma Rinberg
Emma Rinberg

Raanana, Israel

I began my Daf Yomi journey on January 5, 2020. I had never learned Talmud before. Initially it struck me as a bunch of inane and arcane details with mind bending logic. I am now smitten. Rabbanit Farber brings the page to life and I am eager to learn with her every day!

Lori Stark
Lori Stark

Highland Park, United States

I began my journey two years ago at the beginning of this cycle of the daf yomi. It has been an incredible, challenging experience and has given me a new perspective of Torah Sh’baal Peh and the role it plays in our lives

linda kalish-marcus
linda kalish-marcus

Efrat, Israel

I had tried to start after being inspired by the hadran siyum, but did not manage to stick to it. However, just before masechet taanit, our rav wrote a message to the shul WhatsApp encouraging people to start with masechet taanit, so I did! And this time, I’m hooked! I listen to the shiur every day , and am also trying to improve my skills.

Laura Major
Laura Major

Yad Binyamin, Israel

Michelle has been an inspiration for years, but I only really started this cycle after the moving and uplifting siyum in Jerusalem. It’s been an wonderful to learn and relearn the tenets of our religion and to understand how the extraordinary efforts of a band of people to preserve Judaism after the fall of the beit hamikdash is still bearing fruits today. I’m proud to be part of the chain!

Judith Weil
Judith Weil

Raanana, Israel

Sukkah 50

וְאִי מַיְיתֵי בִּמְקוּדֶּשֶׁת, אִיפְּסִילוּ לְהוּ בְּלִינָה. חִזְקִיָּה אָמַר: כְּלֵי שָׁרֵת אֵין מְקַדְּשִׁין אֶלָּא מִדַּעַת, וּגְזֵירָה שֶׁמָּא יֹאמְרוּ לְדַעַת נִתְקַדְּשׁוּ.

And if he brings the water in a consecrated barrel, the water will become disqualified for use in the libation by remaining overnight, just as all consecrated items, e.g., offerings, are rendered unfit after remaining overnight. Ḥizkiya said: Temple vessels consecrate only with specific intent. Therefore, in theory, one could bring water to the Temple in a consecrated vessel, provided he has no intent to consecrate it. And the reason one may not do so is due to a rabbinic decree lest people say, upon seeing the water poured in the morning, that the water was intentionally consecrated. In that case, they might draw the mistaken conclusion that remaining overnight does not disqualify liquids for use in libations.

אָמַר רַבִּי יַנַּאי אָמַר רַבִּי זֵירָא: אֲפִילּוּ תֵּימָא יֵשׁ שִׁיעוּר לַמַּיִם, וּכְלֵי שָׁרֵת אֵין מְקַדְּשִׁין אֶלָּא מִדַּעַת, וּגְזֵירָה שֶׁמָּא יֹאמְרוּ לְקִידּוּשׁ יָדַיִם וְרַגְלַיִם מִלְּאָן.

Rabbi Yannai said that Rabbi Zeira said: Even if you say that there is a requisite measure for the water to be poured for libation and no more than three log can be consecrated, and that Temple vessels consecrate only with intent, here there is a rabbinic decree lest they say the barrel was filled with water for sanctifying the hands and the feet of the priest, for which there is no measure. Then, when they see the water poured in the morning, they will draw the mistaken conclusion that remaining overnight does not disqualify liquids for use in libations.

נִשְׁפְּכָה אוֹ נִתְגַּלְּתָה כּוּ׳. וְאַמַּאי? לִיעַבַּיר בִּמְסַנֶּנֶת. לֵימָא מַתְנִיתִין דְּלָא כְּרַבִּי נְחֶמְיָה, דְּתַנְיָא: מְסַנֶּנֶת יֵשׁ בָּהּ מִשּׁוּם גִּילּוּי. אָמַר רַבִּי נְחֶמְיָה: אֵימָתַי — בִּזְמַן שֶׁהַתַּחְתּוֹנָה מְגוּלָּה, אֲבָל בִּזְמַן שֶׁהַתַּחְתּוֹנָה מְכוּסָּה, אַף עַל פִּי שֶׁהָעֶלְיוֹנָה מְגוּלָּה — אֵין בָּהּ מִשּׁוּם גִּילּוּי. מִפְּנֵי שֶׁאֶרֶס נָחָשׁ דּוֹמֶה לִסְפוֹג צָף וְעוֹמֵד בִּמְקוֹמוֹ.

§ The mishna continues: If the water in the barrel spilled or was exposed overnight, the water is disqualified. The Gemara asks: Why is the water disqualified? Let him pass it through a strainer, eliminating the poison. Let us say that the mishna is not in accordance with the opinion of Rabbi Neḥemya, as it was taught in a baraita: A vessel covered with a strainer is subject to the halakha of exposure if the vessel is left unsupervised. Rabbi Neḥemya said: When is this so? It is when the lower vessel, in which the liquid collects after passing through the strainer, is exposed. However, if the lower vessel is covered, even if the upper vessel is exposed, it is not subject to the halakha of exposure, because the poison of a snake is like a sponge in that it floats and stays in place.

אֲפִילּוּ תֵּימָא רַבִּי נְחֶמְיָה, אֵימַר דְּאָמַר רַבִּי נְחֶמְיָה לְהֶדְיוֹט, אֲבָל לְגָבוֹהַּ מִי אָמַר? וְלֵית לֵיהּ לְרַבִּי נְחֶמְיָה: ״הַקְרִיבֵהוּ נָא לְפֶחָתֶךָ הֲיִרְצְךָ אוֹ הֲיִשָּׂא פָנֶיךָ אָמַר ה׳ צְבָאוֹת״?!

The Gemara answers: Even if you say it is in accordance with the opinion of Rabbi Neḥemya, say that Rabbi Neḥemya said his opinion permitting strained water for a common person. However, did he actually say that strained water is permitted even to be sacrificed to God? Even if it is possible to render this water potable, it is certainly not of the select quality that would render it eligible for use in the Temple service. Isn’t Rabbi Neḥemya of the opinion that it is inappropriate to sacrifice on the altar any item that one would not give to someone of prominent stature? As it is stated: “And when you offer the blind for sacrifice, it is no evil; and when you offer the lame and sick, it is no evil. Present it now unto your governor; will he be pleased with you or will he accept your person, says the Lord of hosts” (Malachi 1:8).

הֲדַרַן עֲלָךְ לוּלָב וַעֲרָבָה

הֶחָלִיל — חֲמִשָּׁה וְשִׁשָּׁה. זֶהוּ הֶחָלִיל שֶׁל בֵּית הַשּׁוֹאֵבָה, שֶׁאֵינוֹ דּוֹחֶה לֹא אֶת הַשַּׁבָּת וְלֹא אֶת יוֹם טוֹב.

MISHNA: The flute is played on the festival of Sukkot for five or six days. This is the flute of the Place of the Drawing of the Water, whose playing overrides neither Shabbat nor the Festival. Therefore, if the first Festival day occurred on Shabbat, they would play the flute for six days that year. However, if Shabbat coincided with one of the intermediate days of the Festival, they would play the flute for only five days.

גְּמָ׳ אִיתְּמַר: רַב יְהוּדָה וְרַב עֵינָא, חַד תָּנֵי: שׁוֹאֵבָה, וְחַד תָּנֵי: חֲשׁוּבָה. אָמַר מָר זוּטְרָא: מַאן דְּתָנֵי שׁוֹאֵבָה לָא מִשְׁתַּבַּשׁ, וּמַאן דְּתָנֵי חֲשׁוּבָה לָא מִשְׁתַּבַּשׁ. מַאן דְּתָנֵי שׁוֹאֵבָה לָא מִשְׁתַּבַּשׁ, דִּכְתִיב: ״וּשְׁאַבְתֶּם מַיִם בְּשָׂשׂוֹן״. וּמַאן דְּתָנֵי חֲשׁוּבָה לָא מִשְׁתַּבַּשׁ, דְּאָמַר רַב נַחְמָן: מִצְוָה חֲשׁוּבָה הִיא, וּבָאָה מִשֵּׁשֶׁת יְמֵי בְּרֵאשִׁית.

GEMARA: It was stated that Rav Yehuda and Rav Eina disagreed: One of them teaches that the celebration was called the Celebration of Drawing [sho’eva] and one of them teaches that it was called the significant [ḥashuva] celebration. Mar Zutra said: The one who taught sho’eva is not mistaken, and the one who taught ḥashuva is not mistaken. The one who taught sho’eva is not mistaken, as it is written: “And you shall draw [ushavtem] water with joy from the wells of salvation” (Isaiah 12:3), and its name reflects the fact that it is a celebration of the water libation. And the one who taught ḥashuva is not mistaken, as Rav Naḥman said: It is a significant mitzva and it originated from the six days of Creation.

תָּנוּ רַבָּנַן: הֶחָלִיל דּוֹחֶה אֶת הַשַּׁבָּת, דִּבְרֵי רַבִּי יוֹסֵי בַּר יְהוּדָה. וַחֲכָמִים אוֹמְרִים: אַף יוֹם טוֹב אֵינוֹ דּוֹחֶה. אָמַר רַב יוֹסֵף: מַחְלוֹקֶת בְּשִׁיר שֶׁל קׇרְבָּן, דְּרַבִּי יוֹסֵי סָבַר: עִיקַּר שִׁירָה בִּכְלִי, וַעֲבוֹדָה הִיא, וְדוֹחָה אֶת הַשַּׁבָּת. וְרַבָּנַן סָבְרִי: עִיקַּר שִׁירָה בַּפֶּה, וְלָאו עֲבוֹדָה הִיא, וְאֵינָהּ דּוֹחָה אֶת הַשַּׁבָּת. אֲבָל שִׁיר שֶׁל שׁוֹאֵבָה, דִּבְרֵי הַכֹּל שִׂמְחָה הִיא, וְאֵינָהּ דּוֹחָה אֶת הַשַּׁבָּת.

§ The Sages taught: The flute overrides Shabbat; this is the statement of Rabbi Yosei bar Yehuda. And the Rabbis say: It does not override even a Festival. Rav Yosef said: The dispute is with regard to the song that the Levites sang accompanying the daily offering. As Rabbi Yosei bar Yehuda holds that the primary essence of song is the accompaniment by musical instruments, and consequently these instruments are a component of the Temple service and override Shabbat. The Rabbis hold that the primary essence of song is singing with the mouth, and consequently the instruments are not a component of the service; they merely accompany the singing on occasion and therefore they do not override Shabbat. However, with regard to the song of the Drawing of the Water, everyone agrees that it is rejoicing and not a component of the Temple service; therefore it does not override Shabbat.

אָמַר רַב יוֹסֵף: מְנָא אָמֵינָא דִּבְהָא פְּלִיגִי, דְּתַנְיָא: כְּלֵי שָׁרֵת שֶׁעֲשָׂאָן שֶׁל עֵץ, רַבִּי פּוֹסֵל וְרַבִּי יוֹסֵי בַּר יְהוּדָה מַכְשִׁיר. מַאי לָאו בְּהָא קָמִיפַּלְגִי, מַאן דְּמַכְשַׁיר סָבַר: עִיקַּר שִׁירָה בִּכְלִי, וְיָלְפִינַן מֵאַבּוּבָא דְמֹשֶׁה. וּמַאן דְּפָסֵיל סָבַר: עִיקַּר שִׁירָה בַּפֶּה, וְלָא יָלְפִינַן מֵאַבּוּבָא דְמֹשֶׁה.

Rav Yosef said: From where do I say that they disagree about this matter? It is as it is taught in a baraita: With regard to Temple service vessels that one crafted of wood, Rabbi Yehuda HaNasi deems them unfit and Rabbi Yosei bar Yehuda deems them fit. What, is it not that they disagree with regard to this matter? The one who deems the wooden vessel fit holds that the primary essence of song is accompaniment by musical instruments, and we derive that sacred vessels may be crafted of wood from the wooden flute of Moses, which according to this opinion was a service vessel. And the one who deems the wooden vessel unfit holds that the primary essence of song is singing with the mouth, and therefore we do not derive any halakha relevant to service vessels from the wooden flute of Moses, as according to this opinion it was not a service vessel.

לָא, דְּכוּלֵּי עָלְמָא עִיקַּר שִׁירָה בִּכְלִי, וְהָכָא בְּדָנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר קָמִיפַּלְגִי. מַאן דְּמַכְשַׁיר סָבַר: דָּנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר, וּמַאן דְּפָסֵיל סָבַר: לָא דָּנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר.

The Gemara rejects this explanation of the baraita. No, that is not necessarily the matter that they dispute, as one could say that everyone agrees: The primary essence of song is singing accompanied by musical instruments. And here, it is with regard to whether one derives the possible from the impossible that they disagree. Can one establish a principle that applies in all cases based on a case with a unique aspect? The one who deems wooden service vessels fit holds that one derives the possible, i.e., Temple service vessels, from the impossible, i.e., the flute of Moses. Although there was no alternative to crafting the flute of Moses from wood, one may derive from this that sacred service vessels, even when the alternative to craft them from metal exists, may be crafted from wood. And the one who deems wooden service vessels unfit holds that one does not derive the possible from the impossible.

וְאִיבָּעֵית אֵימָא: דְּכוּלֵּי עָלְמָא דְּעִיקַּר שִׁירָה בַּפֶּה, וְאֵין דָּנִין אֶפְשָׁר מִשֶּׁאִי אֶפְשָׁר, וְהָכָא בְּמֵילַף מְנוֹרָה בִּכְלָלֵי וּפְרָטֵי אוֹ בְּרִבּוּיֵי וּמִיעוּטֵי קָא מִיפַּלְגִי. רַבִּי דָּרֵישׁ כְּלָלֵי וּפְרָטֵי, רַבִּי יוֹסֵי בַּר יְהוּדָה דָּרֵישׁ רִיבּוּיֵי וּמִיעוּטֵי.

And if you wish, say instead in rejection of Rav Yosef’s proof that everyone agrees that the primary essence of song is singing with the mouth, and one does not derive the possible from the impossible. And here, it is with regard to deriving the halakhot of the Temple candelabrum by means of the hermeneutic principle of generalizations and details or by means of the principle of amplifications and restrictions that they disagree. Rabbi Yehuda HaNasi interprets verses by means of the principle of generalizations and details, and Rabbi Yosei bar Yehuda interprets verses by means of the principle of amplifications and restrictions.

רַבִּי דָּרֵישׁ כְּלָלֵי וּפְרָטֵי: ״וְעָשִׂיתָ מְנוֹרַת״ — כָּלַל, ״זָהָב טָהוֹר״ — פָּרַט, ״מִקְשָׁה תֵּעָשֶׂה הַמְּנוֹרָה״ — חָזַר וְכָלַל. כְּלָל וּפְרָט וּכְלָל, אִי אַתָּה דָן אֶלָּא כְּעֵין הַפְּרָט. מָה הַפְּרָט מְפוֹרָשׁ שֶׁל מַתֶּכֶת, אַף כֹּל שֶׁל מַתֶּכֶת.

Rabbi Yehuda HaNasi interprets the verse “And you shall make a candelabrum of pure gold: of beaten work shall the candelabrum be made” (Exodus 25:31), by means of the principle of generalizations and details. “And you shall make a candelabrum of,” is a generalization, as the material of the candelabrum is not specified; “pure gold,” that is a detail, limiting the material exclusively to gold; “of beaten work shall the candelabrum be made,” the verse then generalized again. The result is a generalization and a detail and a generalization, from which you may deduce that the verse is referring only to items that are similar to the detail; just as the detail is explicit that the candelabrum is crafted from gold, which is a metal, so too all other materials used in crafting the candelabrum must be of metal. The candelabrum is a prototype for all other Temple service vessels.

רַבִּי יוֹסֵי בַּר יְהוּדָה, דָּרֵישׁ רִיבּוּיֵי וּמִיעוּטֵי: ״וְעָשִׂיתָ מְנוֹרַת״ — רִיבָּה, ״זָהָב טָהוֹר״ — מִיעֵט, ״מִקְשָׁה תֵּעָשֶׂה הַמְנוֹרָה״ — חָזַר וְרִיבָּה, רִיבָּה וּמִיעֵט וְרִיבָּה — רִיבָּה הַכֹּל. מַאי רַבִּי — רַבִּי כֹּל מִילֵּי, מַאי מַיעֵט — מַיעֵט שֶׁל חֶרֶס.

Rabbi Yosei bar Yehuda, however, who deems wooden Temple service vessels fit, interprets verses by means of the principle of amplifications and restrictions. “And you shall make a candelabrum of,” is an amplification, as the material of the candelabrum is not specified; “pure gold,” is a restriction, limiting the material exclusively to gold; “of beaten work shall the candelabrum be made,” the verse repeated and amplified. The result is amplification and restriction and amplification, from which one derives to amplify all items except for those items most dissimilar to the restriction. What did the verse amplify? It amplified all materials, even wood. And what did the verse exclude with this restriction? It excluded a candelabrum crafted of earthenware.

אָמַר רַב פָּפָּא:

Rav Pappa said: Rav Yosef stated that the dispute between Rabbi Yosei bar Yehuda and the Rabbis concerning whether or not the flute overrides Shabbat and Festivals is based on the significance and the role of song in the sacrifice of offerings.

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